Filmmakers and edit suites are both in high demand, making them worth over $400,000 per year. The standard working rate is around $100,000 a year. Editors that have experience working in this area include:
Kathryn Bigelow
Richard Franklin
Michael Almereyda
Mike Leigh
Gustavo De Landa
Phedon Papamichael
Jonathan Dayton & Valerie Faris
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“You don’t need an eye doctor to edit the ’50s. You have to have the ’50s eye doctor.” – Mark Mothersbaugh, former editor of The Life Aquatic
“There are so many types of films. It’s much like a game of chess; you win by being a master of one of the forms.” – Bill Friedkin, screenwriter and producer of Trumbo, Moonrise Kingdom and The Blue Room
“The only way you can get in as an editor is to be an A (level) screenwriter.” – Mike Leigh, editor and actor, On the Waterfront and The Producers
Hollywood Handbook: Editing is a Profession of Talent
How does the pay compare across the industry? The top five largest
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