Editors have come a long way in the last few years, but the “revision” has not been as much of a step forward as we had hoped. The primary reason is that, at the present time, there is no general standard for how editing works. Editors who want to be accepted into various magazines will have an entire chapter devoted to editing, including lots of examples and discussions of what makes a good edit.
This type of approach leaves more for the reader to discover, which is what we tend to find more engaging. So it’s important that editors who do want to edit should be open to the idea that they may not get the credit they think they deserve. They should encourage others to see and feel the work that they contribute and provide examples and tips for others to use as a starting point. And they should keep up with the new standard for how to make editing less daunting. Some of them have started to use “bookmarks” in the editing process, and they are working hard on developing methods to make editing more enjoyable and accessible for others.
The editors we have in mind for Book Club’s next chapter will not be as formal about what makes a good edit or why, because we’re also not there yet. And we are happy to work with those editors who get where they’re going. But the approach I’ve outlined above shows, clearly, that there’s not one method to editing well, nor is there one standard. There could be several ways you might go about editing a bookâand that’s the way we like to work.
The most well-known question about the death of Adolf Hitler was, “Why did he die?”
In this video, Michael Hoffman, the author of “Adolf Hitler: A Life” and the editor-in-chief of the journal Critical Inquiry, sheds light on some of the motivations for the killing:
The video, which will be posted here first, is part of the interview series “Critical Inquiry: The History of an Idea,” which Hoffman hosts with Robert A. Nisbet, director of the History Department at UC Berkeley. This is part of an upcoming series on the history of ideas in the wake of “The Culture of Critique.”
A transcript of the interview will publish here in a follow-up article.
Here’s an edited snippet from Michael, who discusses the history of the killing of Adolf Hitler with Auerbach, an editor in the German edition of Critical Inquiry:
Interviewer
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