Not necessarily. Some are raised to sing and some are not. Although a song may be hereditary, it is difficult to pinpoint how closely this is connected. If there’s one thing that singers generally tend to do when they’re young is sing in the shower, then when they find they don’t have the capacity to sing that long, a genetic quirk (or some “genetic time travel”) occurs, and the tendency to sing again kicks in.
Singing is also linked to physical characteristics, including skin and bone structure as well as weight distribution.
The link between singing and hereditary singing does not necessarily mean that the two are closely linked. Singers of different ethnicities still sing together or sing in different groups. And, in my experience, very few singers sing all their lives, so some sort of genetic quirk or time travel could have happened.
If you had to pick only one “genetic gene” to find the truth behind singing, then I’d say singing is the easiest to find, and if you’re interested in finding out more about why some people sing and not others, see my article, “Why does some people sing as kids and not as adults, and how can we use that knowledge to better predict who sings?”
Singing is the “fault line” between childhood and adulthood
What if you really wanted to sing, but were not the best at it? A young child may not have much of an understanding of what it means to sing the way your grandpa did, or even what a violin is. So to be able to sing properly one of these days requires the kind of dedication that comes with experience — and, of course, not being forced to sing. But it’s certainly possible to sing at a high level. That is, many children have enough vocal experience to sing in a group of two adults singing in a certain musical style that they find enjoyable, but who are also capable of working in groups of two as well.
Now, the question is, which musical style? There are a variety of styles. Some are popular and popular songs that people can learn and sing, while others are hard to learn, even by those of us who have never heard those particular songs. My own preference is to sing in a group with only one adult in a given style and another in another, who is doing that one thing that the children can do.
That doesn’t mean that a child needs to have only one teacher in two
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